From b723ce0817f85ee8d8b58f41560b9dea48aa8195 Mon Sep 17 00:00:00 2001 From: Olivia Guest Date: Sun, 5 May 2024 12:21:17 +0200 Subject: [PATCH] Update paper.md Minor fix for parenthetical citation. --- paper/paper.md | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/paper/paper.md b/paper/paper.md index fdae386..81e2946 100644 --- a/paper/paper.md +++ b/paper/paper.md @@ -145,7 +145,7 @@ indicating onset, pitch, and duration. This representation is widely used in sev music transcription [@BenetosDDE19_MusicTranscription_SPM] and music score--audio music synchronization [@Mueller15_FMP_SPRINGER]. The simplest method in libsoni to sonify piano-roll representations is based on straightforward sinusoidal models (potentially enriched by harmonics). When the score information is synchronized -with a music recording (e.g., using alignment methods provided by the Sync Toolbox [@MuellerOKPD21_SyncToolbox_JOSS]), +with a music recording (e.g., using alignment methods provided by the Sync Toolbox, @MuellerOKPD21_SyncToolbox_JOSS), libsoni enables the creation of a stereo signal with the sonification in one channel and the original recording in the other channel. This setup provides an intuitive way to understand the accuracy for a range of musical analysis and transcription tasks. Furthermore, these sonifications may be superimposed with further onset-based stimuli provided by